Showing posts with label IAAW7. Show all posts
Showing posts with label IAAW7. Show all posts

Friday, July 2, 2021

African Folktales at Internet Archive: Ketu, Otwe, Kojo

Yesterday I wrote about a Verna Aardema book illustrated by the great Jerry Pinkney (Rabbit Makes a Monkey of Lion), and today I wanted to look at another Verna Aardema book that is also based on a folktale from eastern Africa: What's So Funny, Ketu? A Nuer Tale. This book has illustrations by Marc Brown, and it is just a click away at the Internet Archive:


This is a classic folktale motif about what happens when a human being gains the ability to understand the language of animals. For other folktales about this same motif, see the collection by Dan Ashliman: The Language of Animals.

Verna Aardema had a very long career and she sometimes reworked the same story with different illustrators, which is the case here: before she published this edition with Marc Brown in 1982, she published the same story under the title Otwe in 1960 with illustrations by Elton Fax; it's also available at Internet Archive.


My guess is that everyone will enjoy the more contemporary illustrations by Marc Brown much more! Aardema made just a few small editorial changes to the story, but the difference in the illustrations is dramatic. Here's Elton Fax's illustration for the part about the rat, and then Marc Brown's version:



As her source for the story, Aardema used Ray Huffman's book Nuer Customs and Folklore, which was originally published in 1931. That book is not available at the Internet Archive, but we have just a few more years to wait before it enters the public domain, and then it will become widely available. The Hathi Trust already has a digital scan of the 1931 book; now it's just a matter of waiting until 2027 when books from 1931 will enter the public domain.

In the meantime, you can enjoy Aardema's retelling of this Nuer folktale about the man who understood the language of the animals, and you might also enjoy another book by Aardema with illustrations by Marc Brown: Oh, Kojo! How could you! An Ashanti Tale, which is also just a click away at Internet Archive. (And for this book, Aardema's source was Rattray's Akan-Ashanti Folktales, published in 1930, so that will be entering the public domain in 2026!)




Thursday, July 1, 2021

African Folktales at Internet Archive: Rabbit Makes a Monkey of Lion

In yesterday's post about Bateman's Tales from Zanzibar, I wrote about how useful public domain story collections are because they provide storytelling material to inspire other storytellers and also artists, and today I get to write about one of my very favorite book illustrators, Jerry Pinkney, because Pinkney did the illustrations for a book by Verna Aardema inspired by one of the stories in Bateman's book: Rabbit Makes a Monkey of Lion: A Swahili Tale. This beautiful book is just a click away at Internet Archive:


I would have liked a book based on this story no matter who did the illustrations because this is a wonderful series of tricks and tricksters featuring both rabbit and turtle stealing lion's honey, with some help from the honeyguide bird. I don't want to spoil the twists and turns in the plot, but here you can see some of Pinkney's depictions of the main characters: rabbit and the honeyguide bird, bush-rat, turtle, and lion.





And this one is a bit of a spoiler: it shows turtle getting away from lion!


This book was published in 1989, so we can trace its publication lineage back over one hundred years, first to Bateman's book in 1901, and then to the book of stories in Swahili published by Steere in 1870; you can see Steere's literal translation of this story along with the Swahili text here: Sungura na Simba / Hare and Lion. (The hare is sungura in Swahili,  and the lion is simba.)


So, yay for the power of the public domain and also for the amazing art of Jerry Pinkney. I'll have lots more to say about Pinkney later when I move on to African American stories, as he did the very best illustrations ever done of the Brer Rabbit stories, which feature some of the same animals you see here. Enjoy!

retold by Verna Aardema
with illustrations by Jerry Pinkney







Wednesday, June 30, 2021

African Folktales at Internet Archive: Zanzibar Tales

Carrying on with this week's theme of stories from eastern Africa (see all this week's posts on one page), I want to focus on a public domain book today, showing how public domain books can appear in multiple formats at the Internet Archive, which offers readers more and different kinds of access than the more recent books which are only available for digital check-out to read in your browser. If you search on Bateman's Zanzibar Tales, you will see these different options:


I'll explain what all these different book options are below, but first some context about the book and its stories. You might have heard the name "Zanzibar" before without knowing just where it is. Zanzibar is an island off the eastern coast of Africa, and it is now part of Tanzania:


This stretch of islands has sometimes been called the Spice Islands (for their production of cloves, nutmeg, cinnamon, and black pepper), and it is a region of Africa sometimes referred to as the Swahili Coast; you can find out more about Swahili, a Bantu language, at Wikipedia.


The stories in Bateman's book, published in 1901, were first written down in Swahili by a Christian missionary, Edward Steere, and he published the stories both in Swahili and a literal English translation back in 1870. That book is also available at Internet Archive, which means you can see the Swahili text if you want, and also learn about the storytellers from whom Steere collected these stories: Swahili tales as told by natives of Zanzibar.

Now, on to the reading options for Bateman's book at Internet Archive! There is the usual browser-based option, with a copy of the book contributed by Cornell University Library. If you want to read online, search the contents of the book, see high-quality scans of the illustrations, this browser-based book is the right option for you:


There's also a version from Project Gutenberg, another long-running digital library which has a strong partnership with Internet Archive. If you want to download an epub or Kindle version of the book that includes the illustrations, or access a digital text that has been carefully proofread by human proofreaders, then the Project Gutenberg option is the way to go! (I used the excellent digital text from Project Gutenberg for my own Diigo/GoogleDoc project of collecting African animal story texts.)


Even better, like many Project Gutenberg texts, there is also a free audiobook version read by volunteers at the LibriVox project, and that is also accessible here at the Internet Archive:


I can even embed the audio here in the blog post! You can click on a track and listen right here in the blog post:


You can also embed the audio for individual stories. There's a helpful page here at Internet Archive that describes all the different audio-embedding options.

So, thanks to the hard work and generosity of both the paid staff and the volunteers at Internet Archive, Project Gutenberg, and LibriVox, these public domain texts have taken on new life in new formats, and you can choose the format that best suits your needs as a reader, writer, teacher, or student! Since the book is in the public domain, you can retell the stories in your own way and even re-use the illustrations if you want.

There are some wonderful stories here, including tales about the trickster rabbit (called Sungura in Swahili) plus other animal tales, a genius chain tale ("Goso the Teacher"), and also some elaborate fairy-tale type stories, including the tragic story of the magic gazelle, which is like "Puss in Boots" but way (WAY) more intense! All the stories are very much worth reading and provide a great introduction to the blend of African and Islamic elements of the storytelling traditions of Zanzibar.

by George Bateman,
just a click away at Internet Archive




Tuesday, June 29, 2021

African Folktales at Internet Archive: Stories Collected in Ethiopia

After the story collections earlier this week from Kenya and from Uganda (here's all this week's posts on a single page), we're moving north today, to Ethiopia:


The book is by Elizabeth Laird, and it consists of stories she collected while traveling in Ethiopia in the 1990s; be sure to see the acknowledgments to the storytellers and translators in the back of the book, which is just a click away at the Internet Archive: When the World Began: Stories Collected in Ethiopia.


This was an exciting book for me because it contains two excellent chain tales, and many wonderful animal stories. Those two genres are my main focus right now, and I'm collecting notes on those types of stories. So, that means you'll find notes there on 12 of the 20 stories in Laird's book; just use the links in this table of contents to find them.

You can also see the notes displayed in Diigo. In the case of this book, you can just search my Diigo on the name Laird because this happens to be the only book by someone named Laird: Diigo - Laird.

In the case of books by authors with more common names or multiple books by the same author, you can search Diigo by the unique ID which I've assigned to each book: Diigo - 202103271595.


Since Laird's book is not in the public domain, I've just written up notes, but for books that are in the public domain, I'm snagging the actual text of the story; more about that, see this earlier post: African Animal Tales in the Public Domain / Koelle's stories from Sierra Leone.

I'm just at the beginning of what I expect will be a one or even two year research project, but the stories are already accumulating nicely; you can see a clickable title list here.

And for some great animal stories from Ethiopia, I can highly recommend Laird's book, which also has lovely illustrations by with lovely illustrations by Yosef Kebede, Emma Harding, Griselda Holderness, and Lydia Monks. Here is the illustration from one of my favorite stories in the book, which shows a sheep and a goat hiding high in a tree while the leopard, hyena, and lion are plotting against them down below:


So, just a click away, wonderful stories from Ethiopia await you:

by Elizabeth Laird



Monday, June 28, 2021

African Folktales at Internet Archive: Maasai Folklore

Yesterday I wrote about two public domain story collections from Uganda and a contemporary children's book inspired by one of those stories, and today I'll be doing the same with a public domain book of stories from the Maasai people: Alfred Hollis's The Masai: Their Language and Folklore. Since this book was published in 1905, that means it is no longer under copyright and is always available at Internet Archive, including download options:


The Maasai are a people of eastern Africa, living in what is now Kenya and also in northern Tanzania. You can read more about them at Wikipedia. The language that they speak, Maa, is a Nilotic language, related to the languages of people in South Sudan such as the Dinka and Nuer. Because Hollis wanted to document the Maa language, the stories in the book have an interlinear presentation with the Maa and English interwoven, followed by an English version of the story using English word order (click on the image for a larger view):


That's a screenshot of a story called "The Woman and the Children of the Sycamore Tree," and you can hear an audio reading of that story by the fabulous Eartha Kitt on this record which is available at Internet Archive also: Folk Tales Of The Tribes Of Africa, which is a selection of stories from Paul Radin's anthology (which I wrote here about last week). 


In that recording, Eartha Kitt is reading the text of the story as it appears in Hollis's book (and also in Radin's anthology), and that's one of the great things about public domain texts: anyone can now produce their own audio versions of public domain books. For thousands of free public domain audio books, just take a listen at LibriVox! (I mentioned the LibriVox production of West African Folktales in an earlier post for example.)

Hollis's book also provides storytelling material for storytellers who want to adapt the materials in their own way, as Ashley Bryan did with the story of the lion and the ostrich chicks; that Maasai story appears in his book The Lion and the Ostrich Chicks, which contains the Maasai story plus three other African tales, and yes, this beautiful book is available for digital check-out at the Internet Archive, just a click away; I wrote about this book in an earlier post at this blog.


Bryan is not the only children's author who has told a version of that Maasai story; Verna Aardema likewise worked with the same story in her book The Lonely Lioness and the Ostrich Chicks, also just a click away at the Internet Archive.


And with Hollis's book, you can even take a look at the Maasai version of the story told in the Maa language and learn a few words if you want, like the ostrich, e-sidai, and the lion, ol-ñgatuny:


You can also compare the very spare traditional version with the much more elaborate versions of Bryan and Aardema which take the outlines of the story and fill it in with much more detail, along with the artwork (Bryan does his own illustrations, and the art in Aardema's book is by Yumi Heo). Perhaps you will even be inspired to tell your own version of this story, or perhaps you will become fascinated by some other stories in Hollis's book. It all awaits you at the Internet Archive!


Sunday, June 27, 2021

African Folktales at Internet Archive: Baskerville's Ugandan Stories

This week I'm going to focus on story collections from eastern Africa, and for today's post I want to look at two important public domain collections because of the role these old public domain books have played in more contemporary children's books, where modern authors are taking stories recorded in the public domain books and retelling them in new ways; that's the power of the public domain: free to remix, reuse, translate, adapt in any way! So, the two public domain books I want to feature today are by Rosetta Baskerville, the wife of George Baskerville, who was a missionary in Uganda.


Most of these public domain books (published before 1926) are either by missionaries or by colonial civil servants; see this blog post for more about the many problems with books produced in a missionary context for white audiences: African Animal Tales in the Public Domain. Short version: despite the racist context, I think there is still enormous value in these collections, and Baskerville's books are, in their own way, better than many others of the time.

The first book Baskerville published was in 1900: The Flame Tree and Other Folklore Stories from Uganda. That book is available at the Internet Archive, and it's not just for borrowing; since this book is in the public domain, that means you can download it from the Internet Archive, and in various different digital formats.


The other book that Baskerville published was in 1922: The King of the Snakes and Other Folklore Stories from Uganda. This book is not available at the Internet Archive, but it is at Hathi Trust, which is another excellent digital library online.


Both books contain a variety of stories: fairy tales, animal stories, and also aetiological stories ("why" stories about natural phenomena). At the bottom of this post, I've included "The Flame Tree" story which is a beautiful aetiological story about why the flame tree has such beautiful red flowers.

Both of Baskerville's books are very much worth reading, and I also want to include here a more recent children's book which is a retelling of "The Story of the Frog" from Baskerville: Wanyana and Matchmaker Frog: A Bagandan Tale retold by Melinda Lilly with illustrations by Charles Reasoner; it's available for checkout at the Internet Archive:


The illustrations really are lovely; here's a two-page spread from the story:


So, I can highly recommend all three of these books as a way to learn about traditional stories from the people of Uganda, and I'll have some more books to share from eastern Africa this week!

~ ~ ~

As promised, here is the story of the flame tree as told in Baskerville's book (because it is in the public domain, I can freely reprint the story here, including the illustration by Mrs. E. G. Morris):

The Flame Tree

Once upon a time there was a little girl who lived in the village of Si. Her parents had no other children, and as she grew older they saw with joy that she was more beautiful every day. People who passed through the village saw her and spoke of her beauty until every one in Kyagwe knew that the most lovely girl in the country lived in the village of Si — and every one in the province called her "the Maiden."
The Maiden was a gentle, sweet child, and she loved all the animals and birds and butterflies and flowers, and played with them and knew their language. Her parents were very proud of her, and often talked of the time when she should be grown up and marry a great chief with many cows and gardens and people, and bring great wealth to her tribe.
When the time came to arrange her marriage, all the Chiefs came and offered many gifts, as the custom of the Baganda is, but the Maiden said, "I will marry none of these rich Chiefs; I will marry Tutu the peasant boy, who has nothing, because I love him."
Her parents were very grieved when they heard this and would have tried to persuade her, but just then a messenger arrived from the Sekibobo to say that the King of Uganda was going to war with Mbubi the chief of the Buvuma Islands, and all the chiefs went away to collect their people for the King's army.
Then the Chief of Si, who is called Kibevu, called all his men together, and Tutu the peasant boy went with them. The army marched down to the lake shore to fight the Islanders who came across the blue waters in a fleet of war canoes, painted and decorated with horns and feathers and cowry shells and beads.
The Maiden was very sad when she said good-bye to Tutu. " Be very brave and win glory," she said, "then my father will let me marry you, for I will never marry any one else."
But when the men had marched away and only the women and children were left in the village with the old people, the Maiden forgot her brave words and only thought how she could bring Tutu safely back. She called to her friend the hawk. "Come and help me, Double-Eye; fly quickly to the lake shore and see my peasant boy — tell him I think of him day and night. I cannot be happy till he returns." The hawk knew Tutu well, for often on the hillside he had played with the children. The Baganda called him "Double-Eye," for they say, that, with one eye he watches the Earth and with the other he sees where he is going.
The Baganda reached the lake, and there was a great battle, and Tutu the peasant boy was killed by a stone from an Islander's sling, but the Baganda rallied, and drove the enemy back to their canoes, and Mbubi beat the retreat drum, and his men returned to Buvuma.


The hawk flies very quickly, and while he was still a long way off he saw Tutu lying where he had fallen on the lake shore. The soldiers were burying the dead, and the hawk watched to see where they would bury the peasant boy of Si, that he might show the maiden his grave.
The Maiden waited on the hillside for the hawk's return and the moments seemed like hours. She called to a bumble bee who was her friend. "Go quickly to the lake side and greet my peasant boy; tell him I wait here on the hillside for his return."
The bumble bee flew away quickly, and when he reached the lake shore he asked the hawk for news. "The Islanders have fled in their canoes, but Tutu the peasant boy is dead; a stone from a sling killed him. I wait to see his grave that I may show it to the Maiden." The bumble bee was afraid to go back with the news, so he stayed near the hawk and watched.
Meanwhile the Maiden waited in a fever of impatience, ever gazing at the distant lake and pacing up and down. She saw a flight of white butterflies playing hide-and-seek round a mimosa bush and called to them. "Oh, white butterflies, how can you play when my heart is breaking? Go to the lake shore and see if my peasant boy is well."
So the white butterflies flew away over the green hills to the lake and arrived on the battlefield just as the soldiers were digging Tutu's grave, and they settled sadly down on a tuft of grass, their wings drooping with sorrow, for they loved the Maiden who had often played with them in the sunshine.
Far away on the Si hills the Maiden watched in vain for their return. Filled with fear she cried to the Sun, "Oh, Chief of the Cloud Land, help me ! take me on one of your beams to the lake shore that I may see my peasant boy and tell him of my love."
The Sun looked down on her with great pity, for he had seen the battle and knew that Tutu the peasant boy was dead. He stretched out one of his long beams and she caught it in her hands, and he swung her gently round until she rested on the lake shore. When she saw the soldiers lifting Tutu's body to lay it in the grave she cried to the Sun, "Oh, Chief of the Cloud Land, do not leave me, burn me with your fire, for how can I live, now that my Love is dead?"
Then the Sun was filled with pity and struck her with a hot flame, and the soldiers were very sorry for her too, and they dug a grave for her next to Tutu's.
And when the people of Si visited the graves the next year they found a wonderful thing, for a beautiful tree had grown out of them with large flame-coloured blossoms which ever turned upwards to the sun, and they took the seeds and planted them in their gardens.
And now the country is full of these beautiful trees which are called Flame Trees, but the old people call them Kifabakazi, because the stem is as soft as a woman's heart and a woman can cut it down.


more information: