The book is organized into the following chapters: The Setting ~ Negro Folk Music in the United States ~ Anthems and Spirituals as Oral Literature ~ Cries, Calls, Whooping, and Hollering ~ Sounds of Work ~ Blues ~ Ring Games and Playparty Songs ~ Louisiana Creole Songs ~ Performers' Corner: Ballads and Minstrelsy ~ Dances: Calindas, Buzzard Lopes, and Reels ~ Instruments: Drums, Gutbuckets, and Horns.
Courlander's own research specialty was ethnomusicology (you can read more about him at Wikipedia), and you will so many songs in this book, some with music, some just with the lyrics. Here's Lord, My Worry.
Meanwhile, you can find many more of Courlander's books featured at this blog. Here are the titles of his works on African traditions: A Treasury of African Folklore, The King's Drum and Other African Stories, Ijapa and the Tortoise and Other Nigerian Tales, The Cow-tail Switch: West African Stories, The Heart of the Ngoni, Hat-shaking Dance, Olode the Hunter and Other Tales From Nigeria, Tales of Yoruba Gods and Heroes, The Crest and the Hide, and The Fire on the Mountain. And here are the titles of his works on the African Diaspora: A Treasury of Afro-American Folklore, Terrapin's Pot of Sense, The Drum and the Hoe, and The Piece of Fire, and Other Haitian Tales.
In addition, there is also a biography of Courlander by Nina Jaffe that you can find at the Internet Archive: A Voice for the People: The Life and Work of Harold Courlander.
And for a great survey of African American music, his book is just a click away at the Internet Archive!
by Harold Courlander
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